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Interaction Design · Project 1 of 3 · Weeks 1–5

GD 2 Project 2: Logo Intensive

The compressed argument — designing a mark that means something

FORMAT

Individual

WEEKS

5–8

METHODS

Thumbnail sketching (minimum 50) · Mark reduction · Vector construction · Adobe Illustrator · Pen tool · Style guide design · Adobe InDesign · System logic · Iterative critique

TAGS

Why this project

The Logo Intensive replaces the Narrative Pattern Triptych in the current curriculum because it offers a project that more directly connects the research and argument of Project 1 to Project 2. A student who spends four weeks researching labor rights now creates a visual identity for a fair labor organization. Similarly, a student focusing on environmental justice develops an identity for a land sovereignty organization. The core issue remains the same — only the form changes.

Paul Rand believed that a logo functions like a flag, signature, or shield — a compact form that must be effective at any size, in any context, and over time. His work on IBM, ABC, and UPS exemplified how a mark can be both simple and richly meaningful — reduced to its fundamental shape without losing its ability to convey significance. Striking the balance between simplicity and meaning is the main challenge of this project. Students who create fifty thumbnail sketches before opening Illustrator are not merely busywork; they are exploring numerous solutions to uncover the true design.

The style guide, created in InDesign, introduces students to document design skills that will be essential in Project 4. It also highlights a key professional practice: design decisions that exist only in the designer's mind are not true design decisions—they are merely habits. A style guide makes these choices explicit, transferable, and accountable.

The Brief

PROJECT PROMPT

Create a visual identity for a social justice organization linked to the human rights issue from Project 1. This includes designing a logo, a wordmark or logotype, and a style guide to outline how the identity is applied.

A logo is more than decoration — it serves as a concise argument. Every aspect of its form, weight, proportion, and mark-making conveys meaning. Your identity must effectively communicate what the organization stands for, its target community, and its significance — all without text or explanations, at any scale.

Begin by producing at least 50 thumbnail sketches before moving to digital work. Sketching is a vital part of the design process. Digital work should build on well-developed paper sketches and not replace the initial ideas.

DELIVERABLE

  • Thumbnail sketchbook (minimum 50 sketches) — photographed and submitted 

  • Logo mark and wordmark — Illustrator files (.ai), vector only

  • Style guide — InDesign file (.indd), minimum 6 pages, exported as PDF

  • Style guide must include: logo usage, color palette with hex/RGB/CMYK values, typography specifications, incorrect usage examples, one application example 

  • Export: PDF, labelled Lastname_Firstname_GD2_P2_StyleGuide.pdf — Print style guide for critique 

  • Self-assessment — see separate assignment sheet

What I've learned from running this

This version will begin in spring 2027

Featured work

Selected examples from this project

Assistant Professor of Graphic Design
Pacific University · Forest Grove, Oregon
mpollock@pacificu.edu

 

© 2026 by Miranda Pollock

 

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